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Maria Edgeworth

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Surely it is much more generous to forgive and remember, than to forgive and forget.

Maria Edgeworth (1 January 176822 May 1849) was a popular and influential Anglo-Irish novelist, short-story writer and educationalist.

Quotes

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Quotations are cited from Maria Edgeworth Tales and Novels (New York: J. and J. Harper, 1834), 20 vols.

  • Man is to be held only by the slightest chains; with the idea that he can break them at pleasure, he submits to them in sport.
    • Letters for Literary Ladies (1795), "Julia and Caroline", Letter 1; Tales and Novels, vol. 13, p. 225.
  • Obtain power, then, by all means; power is the law of man; make it yours.
    • "An Essay on the Noble Science of Self-Justification" (1795); Tales and Novels, vol. 1, p. 206.
  • Surely it is much more generous to forgive and remember, than to forgive and forget.
    • "An Essay on the Noble Science of Self-Justification"; Tales and Novels, vol. 1, p. 213.
  • We cannot judge either of the feelings or of the characters of men with perfect accuracy from their actions or their appearance in public; it is from their careless conversations, their half-finished sentences, that we may hope with the greatest probability of success to discover their real characters.
  • A love-match was the only thing for happiness, where the parties could any way afford it.
    • Castle Rackrent, "Continuation of the Memoirs of the Rackrent Family"; Tales and Novels, vol. 1, p. 46.
  • Our Irish blunders are never blunders of the heart.
  • To our unhappy sex genius and sensibility are the most treacherous gifts of Heaven. Why should we cultivate talents merely to gratify the caprice of tyrants? Why seek for knowledge, which can prove only that our wretchedness is irremediable? If a ray of light break in upon us, it is but to make darkness more visible; to show us the narrow limits, the Gothic structure, the impenetrable barriers of our prison.
    • Leonora (1806), Letter 1; Tales and Novels, vol. 13, p. 5.
  • My mother took too much, a great deal too much, care of me; she over-educated, over-instructed, over-dosed me with premature lessons of prudence: she was so afraid that I should ever do a foolish thing, or not say a wise one, that she prompted my every word, and guided my every action. So I grew up, seeing with her eyes, hearing with her ears, and judging with her understanding, till, at length, it was found out that I had not eyes, ears or understanding of my own.
    • Vivian (1812), ch. 1; Tales and Novels, vol. 8, p. 8.
  • A man who sells his conscience for his interest will sell it for his pleasure. A man who will betray his country will betray his friend.
    • Vivian, ch. 7; Tales and Novels, vol. 8, p. 80.
  • Alarmed successively by every fashionable medical terror of the day, she dosed her children with every specific which was publicly advertised or privately recommended…The consequence was, that the dangers, which had at first been imaginary, became real: these little victims of domestic medicine never had a day's health: they looked, and were, more dead than alive.
    • Patronage (1814), ch. 20; Tales and Novels, vol. 14, p. 245.
  • It is unjust and absurd of those advancing in years, to expect of the young that confidence should come all and only on their side: the human heart, at whatever age, opens only to the heart that opens in return.
    • Helen (1834), ch. 7; Tales and Novels, vol. 19, p. 62.

Criticism

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  • I have made up my mind to like no novels really, but Miss Edgeworth's, yours and my own.
    • Jane Austen, letter to her niece, Anna Lefroy, 1814; cited from Valerie Grosvenor Myer Jane Austen, Obstinate Heart (New York: Arcade, 1997) p. 196
  • She was a nice little unassuming ‘Jeanie Deans’-looking bodie,’ as we Scotch say—and, if not handsome, certainly not ill-looking. Her conversation was as quiet as herself. One would never have guessed she could write her name; whereas her father talked, not as if he could write nothing else, but as if nothing else was worth writing.
    • Lord Byron, journal entry (19 January 1821), quoted in Thomas Moore, Letters and Journals of Lord Byron: With Notices of His Life. Vol. II (1830), p. 412
  • That is the great clue to bourgeois psychology: the reward business. It is screamingly obvious in Maria Edgeworth's tales, which must have done unspeakable damage to ordinary people.—Be good, and you'll have money. Be wicked, and you'll be utterly penniless at last, and the good ones will have to offer you a little charity.
    • D. H. Lawrence, Introduction to These Paintings (1929); cited from James Boulton (ed.) Late Essays and Articles (Cambridge: Cambridge University Press, 2004) pp. 192-193
  • Miss Edgeworth is a most agreeable person, very natural, clever, and well informed, without the least pretensions of authorship. She had never been in a large society before, and she was followed and courted by all the persons of distinction in London, with an avidity almost without example. The court paid to her gave her an opportunity of showing her excellent understanding and character. She took every advantage of her situation, either for enjoyment or observation; but she remained perfectly unspoiled by the homage of the great.
    • James Mackintosh to his daughters (11 May 1818), quoted in Life of the Right Honourable Sir James Mackintosh, Vol. II, ed. Robert James Mackintosh (1836), p. 267
  • Miss Edgeworth was of diminutive stature, and apparently not beautiful. No portrait was ever taken. It seems from Scott's descriptions of her that her appearance faithfully represented the combined vivacity and good sense and amiability of her character. No one had stronger family affections, and the lives of very few authors have been as useful and honourable. The didacticism of the stories for children has not prevented their permanent popularity. Her more ambitious efforts are injured by the same tendency. She has not the delicacy of touch of Miss Austen, more than the imaginative power of Scott. But the brightness of her style, her keen observation of character, and her shrewd sense and vigour make her novels still readable, in spite of obvious artistic defects. Though her puppets are apt to be wooden, they act their parts with spirit enough to make us forgive the perpetual moral lectures.
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