The Phenomenology of Painting

Cambridge University Press (2004)
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Abstract

The Phenomenology of Painting examines the practice of painting - how a painter works with materials, the elements of space, form and color - and viewer response to a work of art. Nigel Wentworth seeks to answer some of the central questions of the philosophy of art, such as: To what extent can a painting and its meaning be understood to result from the artist's intentions? In what way can the painting be understood as an expressive object? What does it mean for a painting to be a representation of something? And what is the nature of aesthetic quality in painting? In offering responses to these questions, Wentworth offers a new theory on aesthetic quality.

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Citations of this work

Merleau‐Ponty and the significance of style.Andrew Inkpin - 2018 - European Journal of Philosophy 27 (2):468-483.
Paintings as Solid Affective Scaffolds.Jussi Saarinen - 2019 - Journal of Aesthetics and Art Criticism 77 (1):67-77.

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